This work began in 1988, as a painting of statuary off the Duomo of Milan.
For many years I looked at architecture as stereotypical of a ‘masculine’ principle. However, very often I ‘feminised’ forms by painting them with lush, organic gestural marks. The work on the left is a heroic figure with hands held over the head in an act of protection or supplication. The hands became simplified and heads more mask like as the work progressed. I elongated the figures and extended the legs removing to top torso. All specific gender indicators are removed and more emphasis placed on the colour.